The way that Douche emasculated Juice Box through rape made him, crudely, more like a woman. This hierarchy necessitates the subordination of not only women, but other men as well. Hegemonic masculinity describes those men at the top of the social food chain. In “Hegemonic Masculinity: Rethinking the Concept,” Raewyn Connell explains that “hegemonic masculinity was distinguished from other masculinities, especially subordinated masculinities” (256). It is important that Douche feminize Juice Box so that he prove himself more masculine. And because Juice Box effectively stands in for a female victim, that masculinity is not compromised by any homosexual connotations of weakness or vulnerability. Douche asserts his masculinity through this power structure, as dominance directly correlates to masculinity. The graphic, sexually violent imagery emasculates Juice Box, allowing the rape scene to mirror a man-on-woman assault. Though Juice Box is male, the scene likens him to a female rape victim in the way that Douche appears to be delivering cunnilingus while sucking out his insides. Pascoe explains that “the constraint and touching of female bodies gets translated as masculinity, embedding sexualized meanings in which heterosexual flirting is coded as female helplessness and male bodily dominance” (114). In “‘Guys are just homophobic’: Rethinking Adolescent Homophobia and Heterosexuality,” C.J. When Douche rapes Juice Box, he feminizes his victim in a way that reduces Juice Box to a state of female vulnerability. Analyzed through the perspective of feminist studies of men, the Douche’s assaults and motivation for rape reveal the dangers of hegemonic masculinity and the use of rape as a means to punish and assert authority. Later in the movie, he tries to rape Brenda the hot-dog bun in an attempt to take revenge on her sausage boyfriend Frank, who accidentally pushed Douche out of the shopping cart, causing him to twist his handle. It seems that less really was more with them, and now more is simply too much.In Sausage Party, when Douche realizes he’s been wounded and is leaking, he rapes and murders Juice Box, using his juice as fuel. Here, the Strokes indulge their every whim, and the result is their weakest album yet. Is This It was a debut album so solid that it felt like a greatest-hits comp hints of reggae, soul, and '80s pop flavored Room on Fire without overwhelming it. They used to be impeccable editors, both in the length of their songs and which ones ended up on their albums. At just under an hour long, First Impressions of Earth is nearly the length of the Strokes' first two albums combined. There are a few bright moments: "Ize of the World" and "Razorblade" channel the bite of the band's older work without rehashing it entirely. On "Ask Me Anything," an otherwise pretty ballad, Casablancas repeats "I've got nothing to say" so often that the listener has no choice but to believe him. Indeed, depression is a big theme on First Impressions of Earth while jaded and bruised lyrical territory is nothing new for the Strokes, now they sound boring instead of just bored with everything around them. Waiting for memorable hooks and lyrics to emerge from "Heart in a Cage," "Electricityscape," and other half-formed songs is a lot more depressing than the occasional failed experiment. That honor goes to the songs that sound like the band is just tracing over its own work - and not especially well. On the other hand, the similarly experimental "15 Minutes," a shambling mess of a ballad that eventually ignites into a rocker, is so odd that it ends up being more surprising than disappointing. Love it or hate it, the song has a boldness and creativity that is in short supply elsewhere on First Impressions of Earth. "Juicebox," meanwhile, moves from a bassline nicked from the "Peter Gunn Theme" to ragged grunge before landing on a soaring, plaintive chorus. "You Only Live Once" is everything a fan could want from a Strokes song, with a joyful melody, skipping rhythm, and cheerfully snotty lyrics. To be fair, First Impressions starts out strong. Arriving at the dawn of 2006, the Strokes' First Impressions of Earth was one of the year's first albums, and one of its first disappointments as well.
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